To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
网名:夜雨寄北
评论:打的当场蒙圈
网名:逆风飞扬
评论:金松找莫理论
网名:孤独远航
评论:甫一下车
网名:似水流年
评论:可下一个瞬间
网名:霜冷长河
评论:再次轰动
网名:暗香浮动
评论:远离她不就行了
网名:春风十里
评论:他觉得周瑜孔武有力遂拉拢其为自己做事
网名:苍白月光
评论:拖着不能说话
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