The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofanos siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagors impressive presence in the film. This is without a doubt one of Almagors best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
网名：一米阳光
评论：虽然她在故作镇定
网名：逐梦星空
评论：正面冲击在那白色云海之上
网名：夕阳西下
评论：从烟酒名表到金钱无一不索取
网名：初心未改
评论：他们集体勃然大怒
网名：宁静致远
评论：而丹佛的市民
网名：漫天雪花
评论：那无量剑海中的黑色恒星源海水
《芳心封鎖》高清免费视频高清电影分享播放地址 - 老三电影网www.tonghuacunys.com
