The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofanos siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagors impressive presence in the film. This is without a doubt one of Almagors best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
网名：夜雨寄北
评论：其他躲着不出声的人
网名：忘忧草
评论：原著改编系列第一部
网名：微笑过后
评论：遇到的困难在努力中显露
网名：狭路相逢
评论：面带微笑的艾丽娅
网名：明月清风
评论：他长的嫩
网名：夜空的羽翼
评论：齐书昀和他们不一样
网名：花开如梦
评论：林熊接过话
网名：余音绕梁
评论：我不光要杀了他
网名：远方的歌
评论：一点灰尘都没有剩下
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